Don’t laugh at the one. That’s the Danger Clown.
I am bleary-eyed with fatigue. I have bad gas. My ears are bleeding a little bit. On the whole, not terribly different from most days. The only difference today is that these symptoms are a result of having my head ripped off by Nine Inch Nails at Blossom Music Center last night. Having spent many years in radio, I learned that among musicians and their crews, Blossom is considered to be the Taj Mahal (literally translated: “beautiful Mahal”) of outdoor concert venues. The same goes for concertgoers themselves. I don’t think I’ve ever been to a show there that wasn’t simply exquisite. Finding your car, on the other hand, is simply excruciating. And thus, the universe is in balance.
The night began with a really entertaining performance by Peaches, who reminded me of a cross between Pat Benatar (who Butt-Head of Beavis and Butt-Head fame famously refers to as “Pat Nebatar”) and KMFDM’s Lucia Cifarelli. It was a winning combination. She ended the night with “Fuck the Pain Away,” the sex anthem heard during the squirming stripper bar scene in Lost in Translation. (”Suckin’ on my titties like you wanted me / Callin’ me all the time like Blondie / Check out my Chrissy behind / It’s fine all of the time…”)
Peter Murphy managed to get Bauhaus back together for another gothic on-stage throw-down. I was never a huge fan of the guy, but I will say this-he was thoroughly entertaining. He’s still got it.
And finally, NIN came out and tore out my soul, anally violated it with a nightstick, and re-inserted it upside-down. I won’t go into great detail, but suffice to say it was un-fucking-believable. NIN puts on one of the sexiest, most violent and most cathartic shows I’ve ever seen.
Something was missing, though. Where was the maniac spilling cheap beer down my back from dual plastic cups, one in each hand, as he tries to squeeze between me and my guest like a calf exiting the birth canal? Where was the moron that sits directly in front of me, bobbing his head and pumping his fist in a fashion that suggests this is the first time he has ever heard music, and boy is it swell? Where was the comedian who bellows the immortal ‘Play some Skynyrd!’? In short: where was my FOC?
A FOC is a Fucking Obnoxious Concertgoer. This particular performance seemed to violate all the natural laws of rock concerts that I’ve ever known, as I’ve endured at least one FOC, but almost always more, at literally every other concert I have ever attended. FOCs come in all shapes and sizes, including:
The Validator – the FOC standing in front of you who, every 30 seconds, turns around and looks at you with a face that says, “Wow, you guys! Isn’t this the best concert ever?!” This is usually augmented with wild gesticulation.
The Requester - the FOC that shouts out the title of some obscure B-side by the performing act 5-10 times between each song, as if (a) the band could actually discern their shout over the rest of the crowd noise, and (b) they actually give a shit. This FOC is unaware of the existence of set lists.
The Drinker – this FOC leaves their seat or standing position every 15 minutes to get another beer. They take no joy in watching and listening to the band perform, but instead in paying $50 to drink $9 beer that would cost them $2 anywhere else in the known universe.
The Rocker – the FOC who pumps his fist so hard to each tune that his entire frame jerks forward, which nearly knocks him over. Almost always male. Fist often augmented with the devil sign.
The Singer – the FOC who clearly only knows the words to the band’s few hit singles and sings them with much gusto – often in a different key, but typically in no key at all.
The Screamer – the FOC who lets loose a horrendous “WOOOOOOOOOOOOOOOOOOO!” every time a song gets soft or ends, delivered with enough intensity and duration to suggest their body actually contains no other organs besides lungs and one giant larynx.
The Talker – the FOC who gives not one wit about the opening act, which you happen to really like, and is insistent on carrying on an inane conversation at the maximum required volume with their concertgoing companion.
The Scholar – always male, overweight, and balding. Almost always pays for sex. This FOC can tell you the twelve countries that the drummer lived in while growing up with his single military father. He can tell you the names of the four songs on the band’s or performer’s first demo, and who did the artwork for it. He can explain, in great detail, the juxtaposition of ironies and the interplay of Dorian and Mixolydian modes on their latest EP. And he will tell you these things, and everything else he knows, at any time when the band is not playing a song.
The worst (or best) FOC I have ever seen was at a John Hiatt concert at The Cleveland Odeon in 2001. I was sitting next to an EFOC – that is, an Extraordinarily Fucking Obnoxious Concertgoer. They can also be dubbed MFOC (Multidisciplinary Fucking Obnoxious Concertgoer) as they possess ALL of the aforementioned abilities. This EFOC wanted to hear an obscure John Hiatt song called “I Have a Gun”, so, like it says in the EFOC textbook, he took to belting it out all night long. Not just between songs, but also during. Just that one song title. So, red-blooded, terrorism-fearing American that I am, I went to the door and told security, in alarmed tones, that some guy sitting next to me in the balcony kept shouting at John Hiatt that he had a gun.
How was I to know?






